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Francisco Ortego Vereda
Francisco Ortego Vereda (1833–1881) was a Spanish caricaturist and illustrator. He was born in Madrid in 1833 and died in Bois-Colombes, France, in 1881.
==Education and career==
He studied at the School of Fine Arts of San Fernando in Madrid and later lived a long time in Barcelona. He illustrated numerous novels and made lithographs. He collaborated on publications such as ''El Pájaro Rojo'' (The Red Bird), ''El Garbanzo'' (The Chickpea), ''Fray Verás'' (You will see the Friar), ''El Cascabel'' (The Rattlesnake), ''Don Diego de Noche'' (Don Diego of the Night), ''El Bazar'' (The Bazaar) and especially ''Gil Blas'' (1864). He also edited ''El Fisgón'' (The Voyeur) (1865), "Doña Manuela" (1865), ''El Sainete'' (The Farce) (1867) and ''Jeremías'' (Jeremiah) (1869), cultivating a caricature-like and scathing style. In 1867, he published in ''El Museo Universal'', popular aspects of Ávila, represented in the figures of the artesan and the mountain and as recorded by José Severini. He also illustrated works of literature, like that of Pedro Antonio de Alarcón, ''Diario de un testigo de la guerra de África'' (Diary of a witness to the war in Africa) in 1860, or ''Don Juan Tenorio'' in 1860 by Manuel Fernandez y Gonzalez. He was responsible for preparing the posters for the Spanish company ''Chocolates Matías López''.
As a painter, his best known work was ''Muerte de Cristóbal Colón'' (Death of Christopher Columbus), a history painting which won special honors in the National Fine Arts Exhibition of 1864. Generally, his paintings were small in size and easy compositions based on a theme of popular imagery.
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